SciELO - Scientific Electronic Library Online

 
vol.21 issue3Subtitling for the deaf and the hard-of-hearing -:A learning-service approach at the audiovisual translation classroomThe Yelwata Maroua 1er festival in Cameroon: a semio-hermeneutic approach to a popular culture author indexsubject indexarticles search
Home Pagealphabetic serial listing  

Services on Demand

Journal

Article

Indicators

Related links

  • On index processCited by Google
  • Have no similar articlesSimilars in SciELO
  • On index processSimilars in Google

Share


Íkala, Revista de Lenguaje y Cultura

Print version ISSN 0123-3432

Abstract

QUIROZ LONDONO, Leandro. Guadalupe años sin cuenta. Staging the abuses of state power in Colombia. Íkala [online]. 2016, vol.21, n.3, pp.345-356. ISSN 0123-3432.  https://doi.org/10.17533/udea.ikala.v21n03a07.

Taking La Candelaria theatre group's aesthetic and poetic work as a referent, this text focuses on the abuses of power by the State and the National Armed Forces in Colombia. Guadalupe años sin cuenta (1975) ''collective creation'', created and played by the above mentioned Bogota group, recreates and takes to the stage the storyof the first Colombian guerrilla man killed by the country's Armed Forces. Native from Eastern lowlands, Guadalupe Salcedo Unda's persona is reconstructed relying on subordinate classes's silenced voices and memories as eye witnesses of that event. Their narratives were the basis of the play, as they were collected during the inquiry previous to playwriting.

Keywords : postdramatic theatre; La Candelaria theatre group; Guadalupe años sin cuenta; Guadalupe Salcedo Unda; Colombia's Armed Forces.

        · abstract in Spanish | French     · text in Spanish     · Spanish ( pdf )