Abstract

STRACCALI, Eugenia. POETIC IMAGES, PAINTED IMAGES: ON JUANA BIGNOZZI'S WHO WOULD HAVE BEEN PAINTED AND MARGINAL GLOSSES. Lit. teor. hist. crit. [online]. 2013, vol.15, n.1, pp.91-111. ISSN 0123-5931.

This article analyzes the poetics of Juana Bignozzi and its articulation with painting, based on the premise that, in the words of Wallace Stevens, both artistic forms share a poetic composition of the real. In this context, the analysis focuses on the poems in Who Would Have Been Painted (2001) and on the poetic article "Work in Plastic Art at the Beginning of the Twentieth Century" (2008), as well as on various interviews in which the author discusses this topic. Throughout this exploration, a key role falls to the poet Raúl González Tuñón, who was Bignozzi's mentor at the beginning of her career and from whom she would inherit a poetic mode able to give a voice to those who have none, just as painting can make the invisible visible.

Keywords : Juana Bignozzi; painting; Raúl González Tuñón; marginal gloss; history; image.

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