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 issue32EL TRÁNSITO DE LA FILOSOFÍA DE LA HISTORIA A LA FILOSOFÍA DEL ARTEEL ARTE MODERNO COMO FIN DEL ARTE: El romanticismo como superación del simbolismo y clasicismo author indexsubject indexarticles search
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Estudios de Filosofía

Print version ISSN 0121-3628

Abstract

VIEWEG, Klaus. EL ARTE COMO "PUNTO MEDIO" Y SU CLASICISMO.Translated byJavier Domínguez Hernández. Estud.filos [online]. 2005, n.32, pp.99-108. ISSN 0121-3628.

Due to Hegel´s interest in the historical function of art as a cultural component, his philosophy of art is inseparable from his philosophy of history. The universal forms of art (symbolic, classic and romantic) correspond both to the formative process of and to the realization of human subjectivity and its liberty in the eastern world, in the classical or greek world and in the modern world. The article focuses on the classical form, that is the world of greek culture. Its classicism is a "middle point" because it is situated in the realm of beauty, between nature and liberty. Even though it is beautiful, the art of the classic form is to us, moderns, an art of the past, it is an art for the liberty of a citizen of the polis, but not for the universal and individualized freedom of a cosmopolitan citizen.

Keywords : Natural spirituality; beautiful; free; mythology; art and religion; natural religion; subjectivity and liberty; classical forms of art; romantic and modern forms; end of history.

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