SciELO - Scientific Electronic Library Online

 
 número67¿Por qué razones distintas a la filiación política nos matábamos los colombianos en los años 50?Aproximación teórico-metodológica al imaginario social y las representaciones colectivas: apuntes para una comprension sociológica de la imagen índice de autoresíndice de materiabúsqueda de artículos
Home Pagelista alfabética de revistas  

Servicios Personalizados

Revista

Articulo

Indicadores

Links relacionados

  • En proceso de indezaciónCitado por Google
  • No hay articulos similaresSimilares en SciELO
  • En proceso de indezaciónSimilares en Google

Compartir


Universitas Humanística

versión impresa ISSN 0120-4807

Resumen

MIGNOLO, Walter. The Darker Side of the Renaissance. univ.humanist. [online]. 2009, n.67, pp.165-203. ISSN 0120-4807.

The Darker Side of the Renaissance focuses on coloniality rather than on Europe's witch and alchemist hunt. Today I would dare to say also that this expression refers us to the historical foundation of coloniality. At the same time, coloniality statement is called into question, as well as the distinction between the known object and the knowing subject, an assumption on which the Eurocentric project of "modernity" and "modernization" disciplines lie. The preface marks the enunciation with which the statement is stated. That is, it rejects the "point zero epistemology" denounced by Santiago Castro-Gómez. This means the reader should be always pay attention to the ennunciation s/he states him/herself, to the hand drawing the hand. Those of us dwelling at Abya-Yala/America are surrounded by the historical foundation of modernity/coloniality, we are a living part of that process, which only "scientific" alignment can make us believe we are looking at something (e.g., colonization) touching what we are today.

Palabras clave : modernity/coloniality; Eurocentrism; language policy; colonization.

        · resumen en Español | Portugués     · texto en Español     · Español ( pdf )

 

Creative Commons License Todo el contenido de esta revista, excepto dónde está identificado, está bajo una Licencia Creative Commons