Resumo

PEREIRA, Simone Luci  e  SOARES, Thiago. Reggaeton in Cuba: Censorship, Ostentation and Cracks in Media Policies. Palabra Clave [online]. 2019, vol.22, n.1, e2217. ISSN 0122-8285.  https://doi.org/10.5294/pacla.2019.22.1.7.

Building on the censorship of a videoclip in Cuban media systems, the controversies arising from the presence of reggaeton in Cuba are addressed in this paper. A musical genre that is strongly anchored in the Caribbean diasporas in the United States, reggaeton stages discussions on the construction of a notion of transnational, youthful and cosmopolitan Pan-Latinity, marked by consumption and ostentation, which seems to question the uniqueness of Cuba as a socialist nation in Latin America. The problem around the performance of the “successful man” who owns mansions and cars in a country whose economy is strongly mediated by the state emerges; conflicts with other Cuban musical genres are noted; and it is claimed that alternative unofficial forms of production and dissemination-which make global identity actions explicit-undermine national policies on “being Cuban”.

Palavras-chave : Reggaeton; latin culture; popular music; performance; Cuba.

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