Resumo

KREMER, Paola Santi. From the Frontier, Sounds the Scream of the Borderline: Hearings of Waly Salomão. Lit. teor. hist. crit. [online]. 2020, vol.22, n.2, pp.449-463. ISSN 0123-5931.  https://doi.org/10.15446/lthc.v22n2.86098.

This article analyzes Waly Salomão's poetic work considering voice as object, starting from an observation of cosmovision walyniana and how it relates to the imaginary voice heard in his writing in philosophical, political, aesthetical, and post disciplinary ways. Considering aspects of Salomão's work already noted by critics and possible links of this cosmovision to some hearings of his ways of reading in public (and talking) registered by Carlos Nader in the documentary Pan-cinema permanente (2008), we will analyze how this imaginary voice sounds in his poems.

Palavras-chave : reading; poetry; voice; Waly Salomão.

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