Resumo

HURTADO ESCOBAR, LUISA FERNANDA; LOPEZ GIL, GUSTAVO ADOLFO  e  ARCILA ESTRADA, MARÍA TERESA. Bullerengue: Approach to this Afro-Colombian manifestation from performance studies. memorias [online]. 2022, n.48, pp.1-.  Epub 09-Nov-2023. ISSN 1794-8886.  https://doi.org/10.14482/memor.48.909.882.

This article is an approximation to bullerengu e from the performance studies as a lens for the analysis which tries to transcend the panoramic-descriptive or specific disciplinary views which this cultural manifestation has been approached with and presents an integrative theoretical perspecttive. It means a comprehensive and integral effort of what has commonly been separated as song, dance or party in most of the existing studies in the field, taking as an axis its interconnections, dialogues and its meanings as well as the connotations for the actors involved specifically in the context of Urabá (region located in the north-west of Colombia). This process is framed on a recent research experience, a project called Bullerengue in Urabá, an approach to a complex socio-cultural manifestation (2018-2019), whose focus procures the integration of ethnomusicology, dance studies and ethnography.

Palavras-chave : bullerengue; performance; party-music and Afro-Colombian dance.

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